The Hotel des Invalides, founded to shelter 7,000 aged or crippled formed soldiers. This
church is part of a large establishment built to house disabled
veterans. Although it is generally classical in style, particularly
in the rectilinearity of the lower facade, the church does
have some Baroque elements. There is a dynamic movement
toward the center, which culminates in the central pediment.
In addition, the dome has some surprises. Unlike St. Peter's
dome, its loose model, it arranges the windows in an unusual
way--with pairs and single windows alternating instead of
a continuous row of windows separated by buttresses or piers.
Normally a window would mark the main axis; here the main
axis has a pair of columns that separates the paired windows.
The lantern is a square in plan but it is rotated so that
its corner marks the main axis.
In the chapels of Saint-Louis are the tombs of Napoleons
brothers Joseph and Jérôme, of his son and
of the marshals of France. Immediately beneath the cupola
is a red porphyry sarcophagus that covers the six coffins
enclosing the body of Napoleon I, which was returned from
Saint-Helena in 1840 through the efforts of King Louis-Philippe.
Napoleons uniforms, personal arms, and death bed are displayed
in the rich Musée de l'Armée (Army Museum)
at the front of the Invalides. Fewer than 100 pensioners
now live at the hospital, which is used as a paraplegic
centre.
The grassy Esplanade des Invalides (810 feet wide) slopes
gently for 1,410 feet to the Quai d'Orsay and the Pont Alexandre
III. The first stone for the bridge was laid in 1897 by
Alexanders son, Tsar Nicholas II. A steel span with upper
works of stone, it embodies the Gay Nineties, la Belle Epoque,
solid, sumptuous, and luxuriant, with its pomposity mocked
by its own gaiety. Finished in time for the International
Exposition of 1900, it leads to two faded souvenirs of that
years fair, the Grand Palais and the Petit Palais.