Built between in the XIXth century by Charles
Garnier, the Paris opera is a baroque example of neoclassicism:
It has an ornamented facade, monumental stairs and Italian
type hall with Chagall paintings on the ceiling. Maria Callas
and Rudolf Noureev are among the many artists who wrote
its history as one of the world foremost scenic stages for
opera and ballet alike. Since the opening of the Opçra Bastille
in 1989, the Opçra Garnier is devoted to ballets.
Construction started in 1861 and completed in 1875. The
massive works were slowed down by the discovery of a water
table that had to be drained before building an enormous
concrete well designed to carry the gigantic stage and fly
tower. The well was filled with water in order to counter
the water pressure (hence the legend of the underground
lake popularized by Gaston Leroux's Phantom of the Opera).
The 1870 Franco-Prussian war and the Commune interrupted
the construction works, but the fire at the old opera in
Rue Le Peletier in 1873 hastened the completion of the monument.
It was officially inaugurated during the Third Republic
by Field Marshall de Mac-Mahon on 5 January 1875.
The building, which is a perfect example of XIXth century
stage architecture, hides its iron frame under flamboyant
decoration. The overall impression is harmonious in spite
of the diversity of its inspiration and the temes taken
up by Charles Garnier. He personally supervised the integration
in the architecture of decorative works entrusted to sculptors,
painters and mosaic artists representative, as himself was,
of state-sponsored artists.
From 1881 down to the present day, several restoration and modernization programmes have made the theatre increasingly
functional without lessening its appeal as a monument: technical progress and the evolution of sets under the influence
of "verism". The next step was the building of a modern and popular opera house: Opera Bastille.